Creative Speak  ·  Creative Flow

Already

Working in English.
On international projects or with global teams.
Taking on more responsibility.

Roles

Creatives · Strategists · Designers
Producers · Art Directors · Copywriters

1:1 English coaching for creatives — focused on pitching ideas, presenting work, and handling feedback and pushback.

Around the world · London · Paris · Berlin · Barcelona · Madrid · Lisbon · Milan · Amsterdam · Stockholm · Copenhagen · New York · Los Angeles · Mexico DF · São Paulo · Buenos Aires · Sydney · Tokyo · Shanghai · Seoul · Around the world · London · Paris · Berlin · Barcelona · Madrid · Lisbon · Milan · Amsterdam · Stockholm · Copenhagen · New York · Los Angeles · Mexico DF · São Paulo · Buenos Aires · Sydney · Tokyo · Shanghai · Seoul
IDEAS.
IDEAS.

I  Who this is for

For talented people with strong thinking — getting by in English rather than fully operating in it. Not because they can't speak it. Because nobody has ever worked with them on English in this specific context.

Stepping Up

The presentations are yours to lead now. The client relationship sits with you. When something goes sideways in a meeting, you're the one who has to redirect it. You need to sound like the person who has already decided.

Directing

You're running something. A studio, an agency, a department, a body of work. Your opinion is why people are listening. When you give feedback, it has to stick. The words have to match that authority.

Moving into English

The role demands it now. English becomes primary, possibly for the first time professionally — in a creative environment where the unwritten rules matter as much as the language itself. This is about operating fully in that context.

Opinion Leaders

You've gone past running things. The industry column. The festival talk. The advisory board. At this level, the words aren't just representing your thinking. They're building something. The English has to be exact. Not polished. Exact.

Talented people. Strong thinkers. People with real opinions and genuinely good work. Business English courses don't touch this.

II  In the work

The gap between competent and completely fluent. Between getting your point across and making it impossible to pull apart. Between a two-dimensional version of what you wanted to say and the actual thing.

01

The pitch

Explaining an idea to someone who decides quickly. Your direction, not someone else's.

02

The review

Presenting work. Defending decisions. Explaining why this route and not that one.

03

The pushback

Someone is questioning your direction. You need to be completely clear — without losing what you actually mean.

04

The feedback

Giving feedback that sticks. The words have to carry the weight of the thinking behind them.

05

The client

Running a client relationship in English. Your clarity is what keeps it on track.

06

The redirect

When something goes sideways in a meeting and you're the one who has to bring it back.

07

The step up

Moving into bigger rooms. The English that carried you here starts showing its limits.

drag to explore →

III  How we work

We can work through actual situations. The pitches. Client relationships. Brainstorms and ideation. New business. Networking

No invented scenarios. No exercises built around other people's work. We take what's actually happening and make it sharper.

So when the moment comes, you are not searching for the words. You already have them.

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  • Comfort. Everything you mean comes out, nothing softened, nothing lost between the thinking and the saying.
  • Stretch. You say what you actually think. You stop editing yourself before you've started. The opinion comes out in your own style.
  • Growth. You handle the pushback. The difficult calls, the critical feedback on the creative. You stay clear in all of it.
  • Make it your own. You sound completely like yourself. Not a careful version. Not a translated version. The actual voice, in English, with nothing missing.

V  How you work with us

One session when there's something specific to get right. A short series to build how you operate across different situations. Extended work for those who want to go deeper.

Single Session

1 × 60 min

One session when there's something specific to get right

A pitch, a meeting, a conversation you need to go into properly. One focused session on exactly the situation in front of you.

  • Work on your specific situation
  • Immediate feedback and adjustments
  • No prep needed — come as you are
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Series

3 × 60 min

Popular

A short series to build how you operate across situations

Three sessions that build on each other — your work, your voice, your confidence across the conversations that matter most.

  • Full walkthrough of your work and role
  • Practice for real situations
  • Handling direct and unexpected questions
  • Clear, confident delivery
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Deep Prep

5 × 60 min

Deeper preparation when something significant is coming

Five sessions of deep work — tailored scenarios, real situations, and the preparation that actually changes how you show up.

  • Tailored scenarios built around your work
  • Deep preparation for your specific moment
  • Handling pressure and the unexpected
  • The step up — in how you sound and feel
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Extended Work

Ongoing

For the inner and outer work — and what you're building long term

For those who want to go into the archetype framework, brand building, and what they're putting into the world beyond the next project.

  • Jungian archetype framework
  • Building your voice and authority
  • Reputation, relevance, long-term influence
  • The work that travels beyond any single project
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VI  The deeper work

What is the deeper work?

Some people want to go further than the conversation. Into what's actually driving how they show up, and what might be getting in the way. This is where the work moves from outer to inner.

How do archetypes work here?

We use Jungian archetypes as a framework — not as a personality quiz, but as a way of identifying how you want to come across and whether your English is doing that work. The explorer. The creator. The sage. The outlaw. Each carries a different kind of authority, a different tone, a different way of owning a room.

Who is this for?

This is for people building something beyond the next project. A name, a perspective, a body of thought that travels. It sits outside the standard work and it goes considerably deeper.

Is my English good enough to start?

Good enough for conversation, yes. Good enough for a room where someone is deciding if your idea makes sense — that is a different standard entirely. The English is there. The question is whether it's working as hard as the thinking behind it.

What happens in a session?

We work on your specific situation — your role, your work, and the real conversations you are about to have. You talk, we work, we push. Everything is immediate and practical. You will hear the difference before the session ends.

CREATIVE SPEAK

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